this morning when i was walking from my parking lot to the garage, there was this white balloon floating about 2 feet from the ground. it was on a ribbon that someone had curled at the end, and it wasn't an egg shaped balloon. it was shaped like an orange.
it was beautiful against the asphalt and it made me think of the kind of wedding where people have crappy food and flowers, but they are in love. like really in love- to the point where they never once thought about her bouquet of white carnations.
i like white carnations.
8.19.2008
8.06.2008
sestina, baby part duex
sestinas are fun. i've played with them before on here.
i wrote this one on the plane from chi to nash.
the words were given to me by my man, who was sitting next to a man. a very. big. man.
Hell hell hell orange gummy big Sestina. Hell.
Her Sestina for the Newlywed made swell
An in-flight urge to write my own. Well,
I unfurl your contribution and see hell, hell, hell.
Now I am unsure. And the glare of orange
Sun from the wings makes my gum
Turn my stomach as I notice how big
The man we would pass these six words over is. Bisecting
The aisle with a note, I feel embarrassed. Hell,
Kind of annoying. But I am so bored. My
Eyes cross over the part of him that he
Can’t keep from spilling into 27B, a swell
Of bad choices, covering your arm rest. He is foreign
And too must feel as though in hell.
Snicker of a drunk. Reach of your arm. How big
He is in this airspace. If he sat by the window, orange
Light reflecting from fuselage would not pass. Well,
Maybe I’m exaggerating. But his hell
Is as our hell is as her hell: kind of gummy.
Present, congealed, of our own creation. Yup. Gummy.
Like the worms I bought in the airport shop. Not candy shells
But soft and changing as we spit, worry, and chew. He
and his excess blocking the sun, big
with heat and sweat. I wonder if like fires in hell
the light he sees in the glare of memory is orange.
Though I hate to do such shame to orange.
It’s a lovely hue. One of my
Heart. And anyway, I don’t believe in hell.
Couldn’t possibly. Have you been to Chicago? Hell.
A bed on Columbus Avenue with motor oil bisecting
The concrete palette of sleeping regret. That’s hell.
And in the smell of that street, my chest swells
With pangs of an eye twitch, a telling orange
Moment that that seems small in the big
Space of what we might create. If we don’t gum
It up by stoking the fire of what we know as hell.
The little pieces of them we carry. Real Hell.
Can you write about hell on an airplane? A shell
Of steel, not so big this far from Midway? Orange
Window-seat light at, well maybe, 30,000 feet. Oh Hell.
i wrote this one on the plane from chi to nash.
the words were given to me by my man, who was sitting next to a man. a very. big. man.
Hell hell hell orange gummy big Sestina. Hell.
Her Sestina for the Newlywed made swell
An in-flight urge to write my own. Well,
I unfurl your contribution and see hell, hell, hell.
Now I am unsure. And the glare of orange
Sun from the wings makes my gum
Turn my stomach as I notice how big
The man we would pass these six words over is. Bisecting
The aisle with a note, I feel embarrassed. Hell,
Kind of annoying. But I am so bored. My
Eyes cross over the part of him that he
Can’t keep from spilling into 27B, a swell
Of bad choices, covering your arm rest. He is foreign
And too must feel as though in hell.
Snicker of a drunk. Reach of your arm. How big
He is in this airspace. If he sat by the window, orange
Light reflecting from fuselage would not pass. Well,
Maybe I’m exaggerating. But his hell
Is as our hell is as her hell: kind of gummy.
Present, congealed, of our own creation. Yup. Gummy.
Like the worms I bought in the airport shop. Not candy shells
But soft and changing as we spit, worry, and chew. He
and his excess blocking the sun, big
with heat and sweat. I wonder if like fires in hell
the light he sees in the glare of memory is orange.
Though I hate to do such shame to orange.
It’s a lovely hue. One of my
Heart. And anyway, I don’t believe in hell.
Couldn’t possibly. Have you been to Chicago? Hell.
A bed on Columbus Avenue with motor oil bisecting
The concrete palette of sleeping regret. That’s hell.
And in the smell of that street, my chest swells
With pangs of an eye twitch, a telling orange
Moment that that seems small in the big
Space of what we might create. If we don’t gum
It up by stoking the fire of what we know as hell.
The little pieces of them we carry. Real Hell.
Can you write about hell on an airplane? A shell
Of steel, not so big this far from Midway? Orange
Window-seat light at, well maybe, 30,000 feet. Oh Hell.
7.28.2008
shouldn't be ashamed
if you thought last week's library selections were frightening... you were wrong. i LOVED them both. this week's however, fall in the self-help category and therefore engender true embarassment. hopefully, the FBI isn't checking my records for homeland security b.s. cause then i'd have to admit i suck at relationships.
7.21.2008
faithless, the wonder boy
what i've checked out from the library this week.
Soon I will Be Invincible : Novel / Austin Grossman
The Astonishing X-men #1-25
someone needs to get me subscription to cosmo.
i used to be a girl.
Soon I will Be Invincible : Novel / Austin Grossman
The Astonishing X-men #1-25
someone needs to get me subscription to cosmo.
i used to be a girl.
7.17.2008
don't change your plans
i am not creative right now.
i'm too tired, but something that's been on my mind is the idea of placeholders in our lives. sitting in the vanderbilt cafeteria the other day, drinking really good coffee from fiesta ware, and talking to a mentor about what the future holds, i got chastised. hard core.
man said, "poet laureate of coney island, you can't put off going to grad school just because you MIGHT have children in the next five years."
seriously, i am a 32 year old woman who is afraid to go balls to the wall after grad school because i know that if i do, i will not do anything about making a family or a life with another human being. that will be it. i'll be crazy career lady.
instead, i am crazy placeholder lady.
or seat saver lady.
maybe, a million in the bank wearing kmart clothes lady.
and it's fucking stupid.
i'm holding a seat for something that is not even a shadow in my life,
i'm not married.
i don't live with anyone.
in fact, i stutter when i use the word boyfriend.
but i can say that i'll wait on what i want to do for something i'm not sure about just because to not do it would be more than the rest of the world can handle.
i officially suck.
working on it.
i'm too tired, but something that's been on my mind is the idea of placeholders in our lives. sitting in the vanderbilt cafeteria the other day, drinking really good coffee from fiesta ware, and talking to a mentor about what the future holds, i got chastised. hard core.
man said, "poet laureate of coney island, you can't put off going to grad school just because you MIGHT have children in the next five years."
seriously, i am a 32 year old woman who is afraid to go balls to the wall after grad school because i know that if i do, i will not do anything about making a family or a life with another human being. that will be it. i'll be crazy career lady.
instead, i am crazy placeholder lady.
or seat saver lady.
maybe, a million in the bank wearing kmart clothes lady.
and it's fucking stupid.
i'm holding a seat for something that is not even a shadow in my life,
i'm not married.
i don't live with anyone.
in fact, i stutter when i use the word boyfriend.
but i can say that i'll wait on what i want to do for something i'm not sure about just because to not do it would be more than the rest of the world can handle.
i officially suck.
working on it.
6.17.2008
my boyfriend's back and your gonna get in trouble
so i was just chatting with a co-worker about office politics and what not, and i noticed that she had this faux album cover of the pixies dolittle. one of my favorite records of all time.
i see the album cover and bust out, "a friend of mine has some of those by the same artist. wait, my boyfriend does."
she says, "freudian, much?"
conversation ensues to resolve that it's not freudian.
it's just gay to say boyfirend at the age of 32.
except it's not gay, because gay people got ALL the grown up words for boyfriend.
even though there are only 2.
partner and lover.
those are grown-up words.
what the hell?
when does the statute of limitations run out on the word boyfriend?
i see the album cover and bust out, "a friend of mine has some of those by the same artist. wait, my boyfriend does."
she says, "freudian, much?"
conversation ensues to resolve that it's not freudian.
it's just gay to say boyfirend at the age of 32.
except it's not gay, because gay people got ALL the grown up words for boyfriend.
even though there are only 2.
partner and lover.
those are grown-up words.
what the hell?
when does the statute of limitations run out on the word boyfriend?
5.19.2008
house of cards
last summer a friend and i were telling stories about growing up in the pre-digital world. i explained summer months in a pin oak tree with a book or a journal, hiding from my brother. he spent his winter months on the living room floor building houses of cards.
i thought that this was super weird and challenged him on the story.
who really sits around doing nothing long enough to build a house of cards?
turns out he did. and was in the guinness book of world records for making one with the most cards, ever. with a 1979 article from the Omaha paper, my friend proved that people really do spend ridiculous amounts of time on meaningless constructs, and the world takes notice.
last night, someone else and i were also telling stories about growing up. i spoke of my pin oak, and he talked his neighborhood on the lake, the freedom of swimming pool baths and no underwear in july.
in this conversation, i added on to the house of cards that i have built. rooms of families and other relationships arranged with such delicate mortar, that they are hard to keep upright in an honest conversation. i made no mention of brazillian voices, hallway pacing, or the squirrel on a fence.
later on his couch, in the fold of a blue silk dress over green corduroy, i got tired of arranging hearts, diamonds and spades in a scaffold that keeps falling. i have wasted too much of what i've been dealt in the neighborhood of "right things to do". too much of these places are done in with one breath. one word. or one squirrel.
i'm quitting card games.
what comes next will be forged from pin oak.
maybe something with a roof to tell secrets on.
and for sure, there's gonna be a fence that i can see over.
i'm chasing that fucking squirrel back into his own yard.
i thought that this was super weird and challenged him on the story.
who really sits around doing nothing long enough to build a house of cards?
turns out he did. and was in the guinness book of world records for making one with the most cards, ever. with a 1979 article from the Omaha paper, my friend proved that people really do spend ridiculous amounts of time on meaningless constructs, and the world takes notice.
last night, someone else and i were also telling stories about growing up. i spoke of my pin oak, and he talked his neighborhood on the lake, the freedom of swimming pool baths and no underwear in july.
in this conversation, i added on to the house of cards that i have built. rooms of families and other relationships arranged with such delicate mortar, that they are hard to keep upright in an honest conversation. i made no mention of brazillian voices, hallway pacing, or the squirrel on a fence.
later on his couch, in the fold of a blue silk dress over green corduroy, i got tired of arranging hearts, diamonds and spades in a scaffold that keeps falling. i have wasted too much of what i've been dealt in the neighborhood of "right things to do". too much of these places are done in with one breath. one word. or one squirrel.
i'm quitting card games.
what comes next will be forged from pin oak.
maybe something with a roof to tell secrets on.
and for sure, there's gonna be a fence that i can see over.
i'm chasing that fucking squirrel back into his own yard.
5.14.2008
communication breakdown
when i taught creative writing, i was a hag for precision in language. never say tree, make it oak or ash. avoid the word angry, instead write blushing necks and the tightening of a shoulder. i was intent on the idea that words had to be exact to communicate what is felt, known, or believed. only in detailed language could we ever convey the truth in what we are.
last night destroyed that.
i sat at a bar with a man. and in our language, there was no miscommunication. everything we said was what we meant. politics. reading. family. city. all clearly defined.
but at the same time, we did not communicate.
the noise of the bar was a constant distraction.
the basketball fans on espn inexplicably wore yellow shirts.
the bartender tossed me the crown from a bottle of chambord, as though all women really want to be a princess. no matter how precise my words, the truth in that moment was that i not was even there.
and then.
on the way home.
i attempted to communicate with someone else. and the words would not come. stuttering lead to a change in breathing patterns and silences heavier than a house.
so i realized. that the truth in what i am is not in precise language, but in snapshot moments in my digital mind.
a text message at 10pm.
a cookie saved until 9.
the chatter of rain on a window.
and a door opening for one last good-bye.
this morning i stood in the street and watched May winds pull silver maples the way that sheets billow around a body; a buick travelling gallatin road, saying puddle spray, new muffler, and i'm late to work.
and the truth of what i was in that moment had no language but a quote in a book at 2am.
i'll leave you with this poem by Jack Gilbert
The Forgotten Dialect of the Heart
How astonishing it is that language can almost mean, and frightening that it does not quite. Love, we say, God, we say, Rome and Michiko, we write; and the words get it wrong. We say bread and it means according to which nation. French has no word for home, and we have no word for strict pleasure. A people in northern India is dying out because their ancient tongue has no words for endearment. I dream of lost vocabularies that might express some of what we no longer can. Maybe the Etruscan texts would finally explain why the couples on their tombs are smiling. And maybe not. When the thousands of mysterious Sumerian tablets were translated, they seemed to be business records. But what if they are poems or psalms? My joy is the same as twelve Ethiopian goats standing silent in the morning light. Oh Lord, thou art slabs of salt and ingots of copper, as grand as ripe barley lithe under the wind's labor. Her breasts are six white oxen loaded with bolts of long-fibered Egyptian cotton. My love is a hundred pitchers of honey. Shiploads of thuya are what my body wants to say to your body. Giraffes are this desire in the dark. Perhaps spiral Minoan script is not a language but a map. What we feel most has no name but amber, archers, cinnamon, horses and birds.
last night destroyed that.
i sat at a bar with a man. and in our language, there was no miscommunication. everything we said was what we meant. politics. reading. family. city. all clearly defined.
but at the same time, we did not communicate.
the noise of the bar was a constant distraction.
the basketball fans on espn inexplicably wore yellow shirts.
the bartender tossed me the crown from a bottle of chambord, as though all women really want to be a princess. no matter how precise my words, the truth in that moment was that i not was even there.
and then.
on the way home.
i attempted to communicate with someone else. and the words would not come. stuttering lead to a change in breathing patterns and silences heavier than a house.
so i realized. that the truth in what i am is not in precise language, but in snapshot moments in my digital mind.
a text message at 10pm.
a cookie saved until 9.
the chatter of rain on a window.
and a door opening for one last good-bye.
this morning i stood in the street and watched May winds pull silver maples the way that sheets billow around a body; a buick travelling gallatin road, saying puddle spray, new muffler, and i'm late to work.
and the truth of what i was in that moment had no language but a quote in a book at 2am.
i'll leave you with this poem by Jack Gilbert
The Forgotten Dialect of the Heart
How astonishing it is that language can almost mean, and frightening that it does not quite. Love, we say, God, we say, Rome and Michiko, we write; and the words get it wrong. We say bread and it means according to which nation. French has no word for home, and we have no word for strict pleasure. A people in northern India is dying out because their ancient tongue has no words for endearment. I dream of lost vocabularies that might express some of what we no longer can. Maybe the Etruscan texts would finally explain why the couples on their tombs are smiling. And maybe not. When the thousands of mysterious Sumerian tablets were translated, they seemed to be business records. But what if they are poems or psalms? My joy is the same as twelve Ethiopian goats standing silent in the morning light. Oh Lord, thou art slabs of salt and ingots of copper, as grand as ripe barley lithe under the wind's labor. Her breasts are six white oxen loaded with bolts of long-fibered Egyptian cotton. My love is a hundred pitchers of honey. Shiploads of thuya are what my body wants to say to your body. Giraffes are this desire in the dark. Perhaps spiral Minoan script is not a language but a map. What we feel most has no name but amber, archers, cinnamon, horses and birds.
5.12.2008
quote of the day
"Art and love are the same thing: it's the process of seeing yourself in things that are not you. It's understanding the unreasonable."
Killing Yourself to Live
by Chuck Klosterman
this was offered up in an, "i've never shown this to anyone." moment from saturday night that i will keep in the queue of moments that i will never give back. this and 1920's bungalow windows to get on the roof, patterns of rust in the basement, the smell of his body after a horse race, losing a game of uno, the way he looked at me when i washed my face, and the moment i let go.
Killing Yourself to Live
by Chuck Klosterman
this was offered up in an, "i've never shown this to anyone." moment from saturday night that i will keep in the queue of moments that i will never give back. this and 1920's bungalow windows to get on the roof, patterns of rust in the basement, the smell of his body after a horse race, losing a game of uno, the way he looked at me when i washed my face, and the moment i let go.
favor
i needed to do myself one of these and not have said the first thing that flies out of my mouth. i did that wayyyy too many times at steeplechase.
all i know is that i had the most interesting conversation about love that i have ever been privy to with someone whom i share nothing and everything with.
that's kind of beautiful.
it's also kind of sad.
hm. that's life.
all i know is that i had the most interesting conversation about love that i have ever been privy to with someone whom i share nothing and everything with.
that's kind of beautiful.
it's also kind of sad.
hm. that's life.
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